From James McMullan:
"This is the ninth in a series.
The subject of this column is caricature, but Im not going to explain or demonstrate it myself. When the art god was doling out the syrup of graphic wit, he must have slipped on a banana peel just as he got to my cup and most of it spilled out on the floor. This being the case, I have chosen three artists whose cups of graphic wit truly runneth over and whose work represents caricature at its highest and most droll level of accomplishment.
Two are friends of many years and are literary wits as well as being celebrated artists: Edward Sorel, whose covers for the New Yorker are legendary, and Robert Grossman, whose animated films, comic strips and sculptures are both political and hilarious. The third artist, Tom Bachtell, creates stylish drawings for The New Yorker every week and, memorably, for many months played graphic games with George Bushs eyebrows.
I asked each of the artists to create a caricature of Pablo Picasso and to give us whatever back story on their process that they choose to share. I think the results show that in order to draw funny, it really helps to be able to free-associate with fish, ex-wives and square eyes.
So heres Picasso three ways."